They Shot Dark Pictures, Didn't They? - 250 Quintessential Noir Films

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Based on our research, these are the 250 most cited films noir in film history (well, at least the film history that we have come across).

In other words, these noir films aren’t necessarily the best (although they would be very close to it), they are simply the films that have most often been cited as noir in publications and across the world-wide-web.

The 250 Quintessential Noir Films listing contains 241 films that all contain three key ingredients.

1) They were all produced in the United States;      
2) They were all shot in black-and-white;
3) They were all produced between 1940 to 1959.

The nine films, that have been included, that exclude at least one of these key ingredients are two Non-American-produced noir (The Third Man and Mr. Arkadin), four colour noir films (Leave Her to Heaven, Niagara, Party Girl and Slightly Scarlet), and three films from the early 1960’s (Cape Fear, Underworld, U.S.A. and The Naked Kiss).

[See also http://www.listsofbests.com/tag/film+noir%2Cthey+shoot+pictures]

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  1. 51.
    The Damned Don't Cry
    by Vincent Sherman

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  2. 52.
    Danger Signal (1945)
    by Robert Florey

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  3. 53.
    ?
    Dark City (1950)
    by William Dieterle

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  4. 54.
    The Dark Corner
    by Henry Hathaway

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  5. 55.
    The Dark Mirror (1946)
    by Robert Siodmak

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  6. 56.
    Dark Passage (Snap Case)
    by Delmer Daves

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  7. 57.
    The Dark Past (1948)
    by Rudolph Maté

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  8. 58.
    Dark Waters
    by André De Toth

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  9. 59.
    Dead Reckoning
    by John Cromwell

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  10. 60.
    Deadline at Dawn (1946)
    by Harold Clurman

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  11. 61.
    ?
    Desperate (1947)
    by Anthony Mann

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  12. 62.
    The Desperate Hours
    by William Wyler

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  13. 63.
    Destination Murder (1950)
    by Edward L. Cahn

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  14. 64.
    Detective Story (1951)
    by William Wyler

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  15. 65.
    Detour
    by Edgar G. Ulmer

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  16. 66.
    Double Indemnity (Universal Legacy Series)
    by Billy Wilder

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  17. 67.
    Drive a Crooked Road (1954)
    by Richard Quine

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  18. 68.
    ?
    Edge of Doom (1950)
    by Mark Robson

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  19. 69.
    The Enforcer
    by Bretaigne Windust

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  20. 70.
    Fallen Angel (Fox Film Noir)
    by Otto Preminger

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  21. 71.
    Fear in the Night
    by Maxwell Shane

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  22. 72.
    The File on Thelma Jordon (1950)
    by Robert Siodmak

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  23. 73.
    ?
    Follow Me Quietly (1949)
    by Richard Fleischer

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  24. 74.
    Force of Evil
    by Abraham Polonsky

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  25. 75.
    ?
    Framed (1947)
    by Richard Wallace

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  26. 76.
    Gilda
    by Charles Vidor

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  27. 77.
    The Glass Key
    by Stuart Heisler

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  28. 78.
    ?
    Guilty Bystander (1950)
    by Joseph Lerner

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  29. 79.
    Gun Crazy
    by Joseph H. Lewis

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  30. 80.
    ?
    Hangover Square (1945)
    by John Brahm

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  31. 81.
    He Ran All the Way (1951)
    by John Berry

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  32. 82.
    ?
    He Walked by Night
    by Alfred L. Werker

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  33. 83.
    High Sierra (Snap Case)
    by Raoul Walsh

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  34. 84.
    High Wall (1947)
    by Curtis Bernhardt

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  35. 86.
    The Hitch-Hiker
    by Ida Lupino

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  36. 87.
    ?
    Hollow Triumph (The Scar) (1948)
    by Steve Sekely

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  37. 88.
    House By the River

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  38. 89.
    House of Strangers
    by Joseph L. Mankiewicz

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  39. 90.
    The House on 92nd Street
    by Henry Hathaway

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  40. 91.
    Human Desire (1954)
    by Fritz Lang

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  41. 92.
    ?
    I Married a Communist (The Woman on Pier 13)
    by Robert Stevenson

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  42. 93.
    I Wake Up Screaming
    by H. Bruce Humberstone

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  43. 94.
    I Walk Alone (1948)
    by Byron Haskin

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  44. 95.
    ?
    I Was a Communist for the FBI (1951)
    by Gordon Douglas

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  45. 96.
    ?
    I, the Jury (1953)
    by Harry Essex

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  46. 97.
    ?
    Impact (1949)
    by Arthur Lubin

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  47. 98.
    In a Lonely Place
    by Nicholas Ray

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  48. 99.
    Jeopardy (1953)
    by John Sturges

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  49. 100.
    ?
    Johnny Angel (1945)
    by Edwin L. Marin

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Created by sienel on Nov 30, 2006.
 

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