They Shot Dark Pictures, Didn't They? - 250 Quintessential Noir Films

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Based on our research, these are the 250 most cited films noir in film history (well, at least the film history that we have come across).

In other words, these noir films aren’t necessarily the best (although they would be very close to it), they are simply the films that have most often been cited as noir in publications and across the world-wide-web.

The 250 Quintessential Noir Films listing contains 241 films that all contain three key ingredients.

1) They were all produced in the United States;      
2) They were all shot in black-and-white;
3) They were all produced between 1940 to 1959.

The nine films, that have been included, that exclude at least one of these key ingredients are two Non-American-produced noir (The Third Man and Mr. Arkadin), four colour noir films (Leave Her to Heaven, Niagara, Party Girl and Slightly Scarlet), and three films from the early 1960’s (Cape Fear, Underworld, U.S.A. and The Naked Kiss).

[See also http://www.listsofbests.com/tag/film+noir%2Cthey+shoot+pictures]

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  1. 201.
    Strange Illusion
    by Edgar G. Ulmer

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  2. 202.
    The Strange Love of Martha Ivers
    by Lewis Milestone

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  3. 203.
    The Stranger (1946)
    by Orson Welles

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  4. 204.
    Stranger on the Third Floor (1940)
    by Boris Ingster

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  5. 205.
    Strangers on a Train

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  6. 206.
    ?
    Street of Chance (1942)
    by Jack Hively

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  7. 207.
    The Street with No Name
    by William Keighley

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  8. 208.
    The Strip (1951)
    by Leslie Kardos

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  9. 209.
    Sudden Fear
    by David Miller

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  10. 210.
    Suddenly
    by Lewis Allen

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  11. 211.
    Sunset Boulevard (Special Collector's Edition)
    by Billy Wilder

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  12. 212.
    ?
    The Suspect (1944)
    by Robert Siodmak

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  13. 213.
    ?
    Suspense (1946)
    by Frank Tuttle

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  14. 214.
    Suspicion

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  15. 215.
    Sweet Smell of Success
    by Alexander Mackendrick

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  16. 216.
    ?
    Talk About a Stranger (1952)
    by David Bradley

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  17. 217.
    ?
    The Tattooed Stranger (1950)
    by Edward Montagne

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  18. 218.
    Tension (1949)
    by John Berry

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  19. 219.
    They Live by Night (1949)
    by Nicholas Ray

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  20. 220.
    They Won't Believe Me (1947)
    by Irving Pichel

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  21. 221.
    The Thief
    by Russell Rouse

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  22. 222.
    Thieves' Highway - Criterion Collection
    by Jules Dassin

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  23. 224.
    This Gun for Hire
    by Frank Tuttle

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  24. 225.
    ?
    T-Men
    by Anthony Mann

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  25. 226.
    Too Late for Tears
    by Byron Haskin

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  26. 227.
    Touch of Evil

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  27. 228.
    ?
    The Sound of Fury (Try and Get Me) (1950)
    by Cy Endfield

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  28. 229.
    ?
    The Turning Point (1952)
    by William Dieterle

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  29. 230.
    ?
    The Undercover Man (1949)
    by Joseph H. Lewis

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  30. 231.
    Undercurrent (1946)
    by Vincente Minnelli

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  31. 232.
    ?
    Underworld, U.S.A. (1961)
    by Samuel Fuller

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  32. 233.
    ?
    Union Station (1950)
    by Rudolph Maté

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  33. 234.
    ?
    The Unknown Man (1951)
    by Richard Thorpe

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  34. 235.
    ?
    The Unsuspected (1947)
    by Michael Curtiz

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  35. 236.
    Fox Film Noir, Vol. 19: Vicki
    by Harry Horner

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  36. 237.
    ?
    The Web (1947)
    by Michael Gordon

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  37. 238.
    ?
    When Strangers Marry (1944)
    by William Castle

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  38. 239.
    ?
    Where Danger Lives (1950)
    by John Farrow

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  39. 240.
    Where the Sidewalk Ends
    by Otto Preminger

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  40. 241.
    While the City Sleeps (1956)
    by Fritz Lang

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  41. 242.
    Whirlpool
    by Otto Preminger

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  42. 243.
    White Heat
    by Raoul Walsh

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  43. 244.
    The Window (1949)
    by Ted Tetzlaff

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  44. 245.
    Witness to Murder (1954)
    by Roy Rowland

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  45. 246.
    The Woman in the Window (1944)
    by Fritz Lang

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  46. 247.
    ?
    The Woman on the Beach (1947)
    by Jean Renoir

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  47. 248.
    Woman on the Run

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  48. 249.
    ?
    World for Ransom (1954)
    by Robert Aldrich

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  49. 250.
    The Wrong Man

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Created by sienel on Nov 30, 2006.
 

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