Wikipedia - Notable Pre-Code Films

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This list is taken from Wikipedia’s list of notable films from the Pre-Code era.

The list spans the years 1929-1934 and is ordered chronologically by year.

Pages: 1 3 4

  1. 1.
    Alibi
    by Roland West

  2. 2.
    Applause
    by Rouben Mamoulian

  3. 3.

  4. 4.
    The Cocoanuts
    by Robert Florey

  5. 5.
    Coquette (1929)
    by Sam Taylor

  6. 6.
    The Desert Song (1929)
    by Roy Del Ruth

  7. 7.
    The Godless Girl (1929)
    by Cecil B. DeMille

  8. 8.
    ?
    Gold Diggers of Broadway (1929)
    by Roy Del Ruth

  9. 9.

  10. 10.
    Hallelujah
    by King Vidor

  11. 11.
    The Last of Mrs. Cheyney (1929)
    by Sidney Franklin

  12. 12.
    The Love Parade (1929)
    by Ernst Lubitsch

  13. 13.
    Our Modern Maidens (1929)
    by Jack Conway

  14. 14.
    Redskin (1929)
    by Victor Schertzinger

  15. 15.
    Rio Rita (1929)
    by Luther Reed

  16. 16.
    ?
    The Trial of Mary Dugan (1929)
    by Bayard Veiller

  17. 17.
    ?
    Sunny Side Up (1929)
    by David Butler

  18. 18.
    ?
    Voice of the City (1929)
    by Willard Mack

  19. 19.
    ?
    The Wolf Song (1929)
    by Victor Fleming

  20. 20.
    All Quiet on the Western Front (Universal Cinema Classics)
    by Lewis Milestone

  21. 21.
    Animal Crackers
    by Victor Heerman

  22. 22.
    Anna Christie
    by Clarence Brown

  23. 23.
    The Blue Angel
    by Josef von Sternberg

  24. 24.
    ?
    The Bride of the Regiment (1930)
    by John Francis Dillon

  25. 25.
    ?
    Children of Pleasure (1930)
    by Harry Beaumont

  26. 26.
    The Divorcee (1930)
    by Robert Z. Leonard

  27. 27.
    Good News (1930)
    by Nick Grinde

  28. 28.
    Hell's Angels

  29. 29.
    ?
    Hold Everything (1930)
    by Roy Del Ruth

  30. 30.
    Kismet (1930)
    by John Francis Dillon

  31. 31.
    ?
    The Life of the Party (1930)
    by Roy Del Ruth

  32. 32.
    Madam Satan [VHS]
    by Cecil B. DeMille

  33. 33.
    ?
    The Matrimonial Bed (1930)
    by Michael Curtiz

  34. 34.
    Morocco
    by Josef von Sternberg

  35. 35.
    ?
    The Office Wife (1930)
    by Lloyd Bacon

  36. 36.
    Our Blushing Brides (1930)
    by Harry Beaumont

  37. 37.
    Paid (1930)
    by Sam Wood

  38. 38.
    Romance (1930)
    by Clarence Brown

  39. 39.
    ?
    She Couldn't Say No (1930)
    by Lloyd Bacon

  40. 40.
    Song of the Flame (1930)
    by Alan Crosland

  41. 41.
    Song of the West (1930)
    by Ray Enright

  42. 42.
    Son of the Gods (1930)
    by Frank Lloyd

  43. 43.
    ?
    Sweet Kitty Bellairs (1930)
    by Alfred E. Green

  44. 44.
    ?
    Under a Texas Moon (1930)
    by Michael Curtiz

  45. 45.
    Whoopee! (1930)
    by Thornton Freeland

  46. 46.
    ?
    Bad Company (1931)
    by Tay Garnett

  47. 47.
    Blonde Crazy (1931)
    by Roy Del Ruth

  48. 48.
    Dance, Fools, Dance (1931)
    by Harry Beaumont

  49. 49.
    Dishonored (1931)
    by Josef von Sternberg

  50. 50.
    Dr. Jekyll and Mr. Hyde (1931)
    by Rouben Mamoulian

Pages: 1 3 4

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Created by greenfruit on Feb 08, 2009.
 

Comments

Not Pre-code Films: — 51 weeks ago

The two films Dames (1934) and Belle of the Nineties (1934) were not Pre-code films as they both were inspected, cut, and granted a seal of approval by the Hays Code. Both were also released after the Code went into effect in July 1934. I don’t know if I should remove them, but Wikipedia is wrong in this regard.


Untitled — 1 year ago

You should add the film Strangers May Kiss (1931). I just saw it, and it’s pure, vintage pre-code stuff from start to finish.


Just some extra info — 3 years ago

I couldn’t find any Pre-Code film lists on this website, so I decided to add one. The lack of Pre-Code lists had me thinking that many might be unaware of what this term means so I thought it might be helpful to include a little info. here.

This is from the Wikipedia article :

“Pre-Code films were created before the Motion Picture Production Code or Hays Code – censorship guidelines – took effect on 1 July 1934 in the United States.”

“Films in the late 1920s and early 30s reflected the liberal attitudes of the day and could include sexual innuendos, references to homosexuality, miscegenation, illegal drug use, infidelity, abortion, and profane language (such as the word “damn”) as well as women in their undergarments."

“Popular character roles include tough-talking, assertive women, gangsters, and prostitutes. Of particular note were both the references to sexual promiscuity, drug use, bloody gangster life, and morally ambiguous endings.”




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