Slant Magazine's 100 Essential FilmsIn response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list. Check back every few days as we randomly introduce a new film. (found at: http://www.slantmagazine.com/film/features/100essentialfilms.asp)
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| 1. |
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Les Vampires
by Louis Feuillade
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| 2. |
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Broken Blossoms
by D.W. Griffith
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| 3. |
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Foolish Wives | ||
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Faust
by F.W. Murnau
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| 5. |
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Hindle Wakes (Fanny Hawthorne)
by Maurice Elvey
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| 6. |
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The Cameraman (1928)
by Buster Keaton & Edward Sedgwick
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| 7. |
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The Crowd (1928)
by King Vidor
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| 8. |
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The Fall of the House of Usher
by Jean Epstein
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| 9. |
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Spies
by Fritz Lang
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| 10. |
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Earth
by Aleksandr Dovzhenko
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| 11. |
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An American Tragedy - 1931
by Josef von Sternberg
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| 12. |
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Que Viva Mexico
by Grigori Aleksandrov
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| 13. |
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Freaks
by Tod Browning
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| 14. |
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Love Me Tonight
by Rouben Mamoulian
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| 15. |
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The Black Cat (1934)
by Edgar G. Ulmer
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| 16. |
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The Crime of Monsieur Lange
by Jean Renoir
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| 17. |
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Gueule d'amour
by Jean Grémillon
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| 18. |
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Make Way for Tomorrow (1937)
by Leo McCarey
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| 19. |
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Stage Door
by Gregory La Cava
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| 20. |
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Only Angels Have Wings
by Howard Hawks
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| 21. |
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The Mortal Storm (1940)
by Frank Borzage
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| 22. |
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To Be or Not to Be
by Ernst Lubitsch
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| 23. |
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The Leopard Man
by Jacques Tourneur
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| 24. |
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Monsieur Verdoux
by Charles Chaplin
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| 25. |
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Portrait of Jennie
by William Dieterle
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| 26. |
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The Flowers of St Francis - Criterion Collection
by Roberto Rossellini
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| 27. |
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In a Lonely Place
by Nicholas Ray
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| 28. |
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Ace in the Hole (AKA The Big Carnival)
by Billy Wilder
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| 29. |
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The Life of Oharu
by Kenji Mizoguchi
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| 30. |
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Le Plaisir/House of Pleasure (1951)
by Max Ophüls
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| 31. |
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I Confess | ||
| 32. |
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The Criminal Life of Archibaldo De La Cruz / This Strange Passion (Ensayo de un crimen / El) [ NON-USA FORMAT, PAL, Reg.2 Import - France ] | ||
| 33. |
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Autumn Leaves | ||
| 34. |
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Will Success Spoil Rock Hunter?
by Frank Tashlin
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| 35. |
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Bonjour Tristesse
by Otto Preminger
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| 36. |
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Imitation of Life
by Douglas Sirk
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| 37. |
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The Ladies Man | ||
| 38. |
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Cleo From 5 to 7 - Criterion Collection
by Agnès Varda
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| 39. |
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Confessions of an Opium Eater (1962)
by Albert Zugsmith
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| 40. |
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Winter Light - Criterion Collection
by Ingmar Bergman
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| 41. |
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Charulata/The Lonely Wife
by Satyajit Ray
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| 42. |
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Gertrud - Criterion Collection
by Carl Theodor Dreyer
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| 43. |
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Yearning (Midareru)
by Mikio Naruse
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| 44. |
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Seven Women
by John Ford
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| 45. |
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Kill Baby Kill
by Mario Bava
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| 46. |
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Masculin Feminin - Criterion Collection
by Jean-Luc Godard
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| 47. |
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Point Blank
by John Boorman
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| 48. |
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The Shooting
by Monte Hellman
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| 49. |
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Memorias del subdesarrollo (Memories of Underdevelopment)
by Tomás Gutiérrez Alea
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| 50. |
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Once Upon a Time in the West
by Sergio Leone
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Created by maggiem on Jun 07, 2006.
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